Chen Cheng-po composed a series of watercolor sketches of female nudes during his stay in Shanghai. In this painting, the model is sitting in a chair, facing to the right and showing the curve of her back and bottom. The chair and cushion are distinct and well defined. In the lower right corner is written "1932.1.Cheng-po painted."
Suchu Li, "Charming Bodies in Freehand Brushwork - A Preliminary Analysis of Chen Cheng-po's Watercolor Sketches of Female Nude," in The Spring of Alishan—New Perceptions on Chen Cheng-Po and Taiwanese Art History (Taipei City: Chin-Shuan Cultural & Educational Foundation, 2013), 136-185.
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